Marina Blanca German, b. 1953

  • Biography

    MARINA BLANCA SEILERN 

    1953  
    Born in Hamburg, Germany
    1973 – 1977  
    Studied in Paris at Esam Design – Ècole supèrieur des Arts modernes and at Ècole du Louvre. Throughout the whole time in Paris, I trained as a sculptor under Maxime Fillon. 
    1987 – 1990
    Learned the techniques of working with bronze under Josef Zensmair in Salzburg, Austria
    1997 – 2007
    Founder and Head of the Artist’s symposiums at Rettenegg, Austria and in Sóller/Mallorca, Spain

     

    ART FAIRS

    2024

    Participation at ART VIENNA. A Group show Heritage Artists, on invitation by the Austrian lifestyle magazine Schlossseiten. September 19 – 22, 2024, Vienna.

     

    SOLO EXHIBITIONS

    2014
    Portraits, Alte Ankerbrotfabrik, Vienna, Austria

    2012

    Gefäße – Jars, Forum am Schillerplatz, Vienna, Austria

    2009
    Sessel-Objekte, Studio Lori Rosenberg, Vienna

    2007
    Sessel-Objekte, KA. Heidenreichstein, Lower Austria

    2003
    Sessel-Objekte, Fingerhut-Akademie, Crottorf, Germany

    Sessel-Objekte, Oelber am weißen Wege, Germany

    Sessel-Objekte, Schloss Wendlinghausen, Germany

     

    GROUP EXHIBITIONS

    2019

    Exquisite Objects I, curated by Katharina Husslein, Salon Le Sans Souci, December 15th, 2019, Vienna, Austria

    Christina Lergon, Marina Blanca, Tamara Bondi – Ausstellung der neuen Arbeiten, curated by Wilhelm and Lorraine Spee, Schloss Heltorf, May 11th, 2019, Düsseldorf, Germany

    2018

    The Rabbit I Never Got, curated by Ala Glasner, Nathalie Hoyos & Gabrielle Berlin, The Austrian Association Women Artists (VBKÖ), November 28, 2018 – January 9th, 2019, Vienna, Austria

    2014

    fragen! globale veränderungsprozesse und ihr niederschlagElf versuche einer annäherung, curated by Cajetan Gril. Schloss Aichberg, Eichberg, Austria

    2013
    Ahnen, curated by Ferdinand Orsini-Rosenberg in collaboration with Museum of Modern Art Kärnten, Schloss Grafenstein, Austria

    PIKASUMAN, Stilwerk, Vienna, Austria

    2002
    Within/Without Appearances, International Appartment, Vienna

    Skulptur 02, Fürstenfeld, Styria

    1998
    Dimensionen, Galerie Kalb, Vienna

    1995
    Stein-Skulpturen, Atelier Alexander Köchert, Vienna

    1990
    Künstlerverein – Artist’s society, Kuchl, Salzburg

    COMMISSIONED WORKS FOR THE PUBLIC SPACE

    2024

    Presentation of a portrait in bronze of renown pianist Rudolf Buchbinder (*1946), who is the artistic director of the Grafenegg Festival in Lower Austria. The presentation took place after the closing matinée of the former Reitschule at Grafenegg, which will be modernized and reopened in summer 2026. September 22, 2024. 

    2010

    For Salzburg’s famous Haus für Mozart, where the Salzburg music festival takes place, I was asked to make a portrait, in bronze, of the main patron Donald B. Kahn (1925-2013).

    1993

    Outdoor sculpture made of iron sheets, functioning as a signpost for the wildlife park Mautern, in Styria. It is located at the exit of Austrian motorway A9, coming from the direction of Vienna.

     

    ARTIST-IN-RESIDENCES

    2012

    February – April
    Invitation to Glasfabrik Oberstölzl, Styria

    2000 – 2002
    Invitation to Aluminium Fabrik Neuman, Marktl im Traisental, Austria
    (Development of the series Sessel-Objekte)

  • Installation Shots
  • Overview

    Marina Blanca is a visual artist experimenting with material, color and space to explore the notion of interaction. Her sculptures transform spaces into dynamic playgrounds. Throughout her artistic career, Blanca focuses on the relationship between the figurative players and the abstract elements of a game. By depicting the facial features of individuals with portrait busts cast in bronze, she emphasizes on the mood and position of her players. Later, she blew armchairs out of proportion or installed armies of white ceramic vases, that embody architectural elements and act as pawns in a game.


    By opposing the functionality and dysfunctionality of human adequacy, she raises questions relating to the individual, to his or her vulnerability and or their finiteness. For Blanca, her sculptures are personalities, which also talk. They are bodies that can be treated flexibly in their placement – lying on the floor, positioned on tables, hanging from the ceiling.

  • Video Interview

    Sesselobjekte, 2003
    Produced by Julinka Doenhoff

    Video

    Some thoughts about my work series "Sesselobjekte" that I mostly worked on from 1999-2003. The video was published on the occasion of the opening of the  exhibition at Schloss Crotorff in 2003, Germany.